Two wonderful reviews from Nadia’s June 24 “Poetry of Places” concert at Bargemusic in New York.
Harry Rolnick, ConcertoNet.com
“The Poetry of Places: Newly-written compositions inspired by diverse buildings”
“The sextet of accomplished composers worked with solitary houses on lakeside islands, an anomalous monolith in Dhaka, the world’s oldest extant building, the complex interior of Aaron Copland’s home, and a unique art museum. How these composers conceived these structures in sound, whether giving them literal measurements or spiritual ideas… that was the challenge of this music, nearly all of it dedicated to Ms. Shpachenko herself. They couldn’t have chosen a more apt executant. While residing mainly on the West Coast, Ms. Shpachenko has given premieres for Elliott Carter, George Crumb, and virtually every other American composer. Last night, though, Ms. Shpachenko played not only these six very different concepts, but she added a toy piano and–in a beautiful croon–her own voice… The result was something magical, a vision which transcended building and, like any art, put us in the mood… truly original… mysterious and touching…”
George Grella, New York Classical Review
“Shpachenko program illuminates composers’ edifice complex”
“With the setting sun backlighting the backdrop of the skyline of lower Manhattan, Shpachenko delivered a pleasing concert of music written about architecture… Shpachenko’s playing matched the verve of the writing, and she was in tune with the subtle but substantial sensitivity in the music… The music was full of unexpected passion and turmoil… There was terrific, thrusting energy… Through Shpachenko’s fluid performance the piece was easily heard as absolute music, an exploration of how rhythms, phrases, dynamics, and excellent counterpoint all work together to make invisible structures…”